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Harvard University’s African Studies Workshop Featuring Kay Kaufman Shelemay: “Listening to Ethiopia’s South: Music, Musicians, and the Performance of Oromo Nationalism”

Published in 2014, Seminar Presentation, Shelemay, Kay Kaufman - Archived on July 20th, 2014

Title: Listening to Ethiopia’s South: Music, Musicians, and the Performance of Oromo Nationalism
Author: Kay Kaufman Shelemay (Professor of Music and of African and African American Studies at Harvard University)
Published: Seminar Presentation, African Studies Workshop at Harvard University
Language: English
Keywords: Ethnography, Ethnomusicology, Music, Oromo Nationalism

On March 3, 2014, Kay Kaufman Shelemay, G. Gordon Watts Professor of Music and of African and African American Studies at Harvard University, presented, “Listening to Ethiopia’s South: Music, Musicians, and the Performance of Oromo Nationalism.” Ingrid Monson, Quincy Jones Professor of African American Music at Harvard University, was the discussant.

– Source: African Studies at Harvard University

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A History of Oromo Cultural Troupes (1962-1991)

Published in 2013, Bessa, Tesfaye Tolessa, Science, Technology & Arts Research (STAR) Journal - Archived on February 22nd, 2014

Title: A History of Oromo Cultural Troupes (1962-1991)
Author: Tesfaye Tolessa Bessa
Published: Science, Technology & Arts Research (STAR) Journal Volume 2, Issue 1, 2013, pp. 86-94
Language: English
Keywords: Culture, Music, Oromo Struggle, Oromo Cultural Resistance

Abstract:
The purpose of this paper is to analyze the struggle of Oromo cultural troupes in creating consciousness among the Oromo to reconsider their lost rights. The study draws up on primary and secondary sources, which had been collected in the summer of 2008. Primary sources are securitized from archives and interviews. Informants were selected only on the basis that they had been direct participants of the events. Printed material, as both primary and secondary sources, are utilized with critical scrutiny. Many of these sources are indicators of the situation the Oromo had been forced to bear in those days. From the analysis of these sources, the paper is able to reveal how the Oromo troupes brought hidden grievance of the Oromo to the light under unbearable situations. It also shows how these troupes brought unstructured way of cultural resistance and rural social banditries into the modern form of organized struggle by attracting many minds of bureaucrats, military officers, students, professional groups and the business classes.

Article in PDF format (Gadaa.com)

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The following audio is from the era on which the author of the research paper writes.

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